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1883

93  4:

 

1883

Dec. 16th 1883

Born Gabriel Maximillian Leuvielle in Saint-Loubès, near Bordeaux (France). Although common practice around 1900 as well to choose a stage name, his contemporaries apparently weren't aware that Max did so too. The magazine FILMA in 1920 asked its readers: "Did you know that our «Max national» in real life is called Leuvielle?"

 

1902

1902

Attends the Conservatoire Muncipal de Bordeaux. One of his teachers is Adrien Caillard, who in 1904 joins the Théâtre de l'Ambigu and later also helps Linder to find a job at the same theatre.

 

1902

93  4:

 

 

1903

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July 7th 1903

Graduates at the Conservatory in Bordeaux by winning first price in the category „Comedy“ and second price in „Drama“.

Engagement at the THEATRE DES ARTS in Bordeaux.  Plays include: "Le Barbier de Séville", "Les Précieuses ridicules", "Les Fourberies de Scapin".

 

1903

1904

 

In 1904 Linder moves from Bordeaux to Paris.

Autumn 1904

Under his real name «Leuvielle» he applies for the Conservatoire National de Musique et de Déclamation in Paris. (René Jeanne, Max Linder et le théâtre) He is being rejected.

Oct. 20th 1904

First première at the THEATRE DE L'AMBIGU in: Le Tour du Monde d'un enfant de Paris. According to René Jeanne he has to replace an actor at such short notice, that he hardly has had time to study the role of a captain.

Dec. 3rd 1904

Première of Le crime d'Aix. The name «Max Linder» appears on the bill for the first time, if only on the 15. rank of the male cast.

 

1904

93  4:

 

 

1905

93  4:

 

 

Theatre-plays 1905: La conquête de l'air ―  Les deux orphelines ―  Paillasse ―  La belle marsaillaise ―  La fleuriste des halles ―  La bande à Fifi ―  Le crime d'un fils ―  La grande famille

―――――――――――――――

Films released in 1905: Première sortie Rencontre imprévue

 

April 15th 1905

The magazine LE THEATRE publishes a picture of Max in the role of «Caulaincourt» in La belle marsaillaise for the first time.

June 15th 1905

In La fleuriste des Halles two dream sequences are being shown by projecting films (René Jeanne, Max Linder et le théâtre). It might have given Max the inspiration for the so-called «film-sketch», in which he later will appear in throughout Europe.

Aug. 5th 1905

His first film is being released. Its title: Première Sortie, meaning “First night out”, could also be translated as «first release».

Autumn 1905

Under the name «Max Linder» he unsuccessfully applies again for the Paris Conservatory.

 

 

 

Photograph which appeared in "Le Théâtre", April 15th 1905

1905

1906

 

Theatre-plays 1906: La tourmente ―  La goualeuse ―  Miquette et sa mère ―  La main droite

―――――――――――――――

Films released in 1906: Julot va dans le monde C'est papa qui a pris la purge Lèvres collées Le pendu

 

Autumn 1906

For the third and last time he (again under his real name «Leuvielle») files his application for the Conservatory in Paris. He fails to be admitted once more.

Nov. 2nd 1906

First première at his new workplace, the THEATRE DES VARIETES, is Miquette et sa mère.

 

1906

93  4:

 

 

1907

93  4:

 

 

 

Nov. 15th 1907

At the PATHÉ GROLÉE in Lyon the film    Le mari de la doctoresse appears on the bill. After a production photo from the film was rediscovered, the title role could be attributed to Max Linder.

Dec. 1907

In the costume of «Polichinelle» he appears at a Christmas party at the CIRQUE D'HIVER. (Richard Abel, The Ciné goes to town.)

 

 

 

 

 

Production photo from "Le mari de la doctoresse" (Source: "Pathé Films" - Suppl.1, 1908)

 

___________

1907

1908

 

 

April 24th 1908

Première of Le Roi at the Théâtre des Variétés. The play becomes the biggest success of the 1907/08 Paris theater season. Apart from his rather small  role as «William Touret» he is to be the replacement for Max Dearly (Pierre Philippe in "Le temps de Max"). Hoping to be able to step in for him one day, he doesn’t renew his contract with Pathé.

July 14th 1908

A film-sketch is being shown at the Cirque d’Hiver. In his "Chronique du cinéma" (1992) Jacques Legrand identifies the actor as Max Linder.

 

1908

93  4:

 

 

1909

93  4:

 

 

 

June 18th 1909

After 350 performances, the 3rd season of Le Roi begins without Max, because by now he has given up hope of ever achieving anything at the theatre. He signs a new contract with Pathé which grants him «a very high salary» (New York Dramatic Mirror, July 30th 1910).

July 1909  

First films under his new contract are being released in Austria. Beginning in early September his name appears both on the film print and in advertisements of every one of his films.

 

 

1909

1910

 

Films released in 1910: Les exploits du jeune Tartarin La timidité guérie par le sérum Une bonne pour Monsieur, un domestique pour Madame Une jeune fille romanesque Le pacte Je voudrais un enfant Soldat par amour Le serment d'un prince Mauvaise vue Une ruse de mari Une représentation au cinéma L'ingénieux attentat Tout est bien qui finit bien Kyrelor bandit par amour Amour et fromage Une épreuve difficile Le duel de Mr. Myope Le revolver arrange tout Max fait du ski Max est distrait Les effets des pilules Max se trompe d'étage Trop aimée Un mariage au puzzle La flûte merveilleuse Un cross-country original Champion de boxe Mon chien rapporte Les débuts de Max au cinématographe Comment Max Linder fait le tour du monde Quel est l'assassin Sketch in Revue: Vive Paris! Max prend un bain Le soulier trop petit Max cherche une fiancée Max hypnotisé Max manque un riche mariage Max ne se mariera pas

 

July 30th 1910

In an article for the CINE JOURNAL Georges Fagot gives the number of films in which Max Linder appeared in as «plus de cent» (more than hundred). Adding the 117 films, in which he will appear in from now on, his whole “œuvre” can be estimated at approximately 220 films.

Oct. 20th 1910

In the revue Vive Paris! he performs a film-sketch at the Olympia in Paris. Special posters with Max Linder are printed on which he asks: "M'as-tu vu, à l'Olympia?" (/"Did you see me at Olympia?").

Nov. 8th 1910

He is being admitted to hospital and operated on the same evening due to appendicitis. Complications follow and cause a delay in his recovery of up to six month.

 

1910

93  4:

 

 

1911

93  4:

 

 

 

 

July 28th 1911

The first film after his recovery Voisin, Voisine, has it’s initial release in the Austro-Hungarian Monarchy.

 

Ad.: [Attention! Attention" Big Hit! MAX LINDER is acting again for the first time in "Voisin, Voisine"] "Erste Internationale Film-Zeitung", Aug. 12th 1911

1911

1912

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Ad., "Oesterreicher Komet", Aug. 10th 1912

 

 

 

Max Linder in the bullring (1912) (Source: "El mundo cinematográfico", Oct. 10th 1912 [Collection: Bundesarchiv/Filmarchiv, Berlin])

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Poster announcing his performances at the "Ronacher" in Vienna (Collection: Wiener Stadt- und Landesbibliothek)

 

 

 

 

Max Linder on stage at the "Wintergarten" in Berlin (1912) (Source: "Berliner Illustrirte Zeitung", Dec. 29th 1912)

Films released in 1912: Max lance la mode Max reprend sa liberté Max et son chien Dick Amoureux de la teinturière Max Linder contre Nick Winter Bandit par amour Que peut-il avoir? Le succès de la prestidigitation Une nuit agitée L'âne jaloux La malle au mariage Max cocher de fiacre Oh! Les femmes Idylle à la ferme Un pari original Peintre par amour La fuite de gaz Le mal de mer La vengeance du domestique Amour tenace Voyage de noces Max boxeur par amour Max émule de Tartarin Entente cordiale Sketch: Pédicure par amour Max veut grandir Petit roman L'enlèvement en hydroaéroplane Mariage au téléphone Jalousie La peur de l'eau Max et l'inauguration de la statue

 

March 24th 1912

Appears at the afternoon and evening show at the Cirque d'Hiver in a new sketch, written by himself.

April 5th 1912

LE CINEMA writes, that he has been engaged for a three month tour through Europe, which is to bring him the «modest» sum of 60.000 Francs.

June 6th 1912

After a «boxing match on roller-skates» with his partner Georges Vinter (aka: Nick Winter), he performs a sketch at the Brasserie Cinéma Rochechouart.

June 9th 1912

At the cycle racing track at the "Parc de Princes", immediately after the finish of a 100 km race he does some filming dressed as a jockey, presumably for Jockey par amour [1913].

July 1912           

Signs a 3-year-contract for one million francs. To come up with the money Pathé finds it necessary to raise the cost of his films. In Germany they become 20% more expensive. Up to now his annual income was estimated to be 100.000 francs (Der deutsche Lichtbildtheater-Besitzer, March 30th 1911).

Sept. 20th 1912

Stage act with Stacia Napierkowska in Barcelona, Spain. Before the Sketch Pédicure par amour, the film Mariage au téléphone is being shown for the first time. The Sketch is based on a film from 1908 with the same title and written and directed by Charles Decroix. This time Linder and his friend Armand Massard, columnist at La Presse, are both credited as authors.

Sept. 25th 1912

At the El Tibidabo in Barcelona a banquet is being given in his honour.

Sept. 28th 1912

Before an audience of more than 10.000 spectators he appears as bull-fighter in a Barcelona arena. The sequences filmed on this occasion are to be incorporated into Max toréador [1913].

Oct. 8th 1912

On the second night of his five-day engagement at the Gran Teatro in Madrid he falls onto the stage. After a similar accident at the Alhambra the following year, again while descending on a rope, he probably decides not to take that risk any longer. While in Russia in late 1913 a newspaper correspondent discovers him backstage, while someone else is climbing down the rope. (St. Petersburger Zeitung, Dec. 17th 1913 [russ. Cal., Dec. 4th 1913]).

Oct. 15th 1912

Max and his partners, Stacia Napierkowska, Jacques Vandenne and Delson arrive in Lisbon, Portugal.

Oct. 19th 1912

Performs at the Theatro da Republica in Lisbon for four days. Here the film Entente cordiale [1912] is part of the act.

Nov. 15th 1912

15-day stay at the Ronacher in Vienna with his partners Leonora and Vandenne. A few days later he is seen making a film in front of that theatre.

Nov. 19th 1912

Accompanied by his sketch-partners he attends a cinema performance of L’enlèvement en hydroaéroplane [1912] in a Viennese  Cinema.         

Dec. 2nd 1912

A guest performance at the Wintergarten in Berlin, scheduled to last two weeks, has to be prolonged by another two weeks, due to his great success. A few days after his arrival he attends the shooting of a Pathé picture in a Berlin suburb together with the German actor Albert Paulig. (Berliner Börsen Courrier, Dec. 12th 1912). For what picture is not known.

Dec. 7th 1912

Two German film companies are said to have offered Max a contract to lure him away from Pathé Frères. According to the "Berliner Tageblatt" they are willing to pay him 1.5 million francs for a period of three years. Whether this story is based on facts or what became of it, is not known.

 

1912

93  4:

 

 

1913

93  4:

 

 

 

27th Feb. 1913

THE BIOSCOPE writes that arrangements of a tour through Russia are completed. Since it took almost nine month for Linder to actually get there, some historians have speculated that there were two tours to the East. Apart from the note in THE BIOSCOPE no more evidence of a venture to Russia in early 1913 could be found though.

 

July 6th 1913

Max rents the Olympia in Paris for five weeks. Under the slogan "Max tue un taureau" (/"Max kills a bull") Max toréador is shown for the first time in France. The other Linder-film screened is Max en vacances. This «Max Linder season» doesn’t include a personal appearance by Max.

July 22nd 1913

Attends the regatta at Le Havre with his yacht Film.

July 25th 1913

The longest comedy picture yet, Le duel de Max is being shown simultaneously at the "Cines" Nollendorf-Theater in Berlin and at the Olympia in Paris.

Aug. 10th 1913

At the end of the «Max Linder season» the film Max toréador has been shown 50 times.

Aug. 30th 1913

At the Parisian music- hall Alhambra his newest Film-sketch C'est le tango qui est la cause de ça is being premiered. His partners are Hilda May, Georges Gorby and Pré fils. Parts of the plot were used again in the film Coiffeur par amour [1915].

Sept. 11th 1913

The film Max on the road to matrimony is released in the UK. It contains the so-called "mirror-trick", which Linder will use again years later in Seven years bad luck [1921]. The original title of this film is not known. In 1923 a 9,5mm-version is offered, carrying the title Une bonne farce.

Oct. 10th  1913

Max takes over the management of the Kosmorama which had been opened only the year before. It becomes the “Topical”-Cinema Pathé Journal until, after some renovation, it is being reopened on Dec. 17th 1914 as Ciné Max Linder.

Oct. 11th 1913

The sketch which has been seen at the Alhambra is also being shown to mark the opening of the Palais de la danse of the  Olympia the night before.

Nov. 14th 1913

Begins a two-week engagement at the Royal-Orpheum in Budapest together with Lucette Darbelle.

Nov. 19th 1913

At the Hotel Ritz in Budapest he is being visited at 8 a.m. by a marshal. He had cancelled a prior engagement and was ordered by a court to pay 1000 Kronen penalty, but had failed to do so.

Dec. 3rd 1913

Arrives in St. Petersburg. His female partner in Russia is Mary Mitchell. Musical accompanist is, according to his own statement, Dimitri Tiomkin (1894-1979). Further remarks, which claim, that, after arriving by train, Linder took an aeroplane to fly to his hotel (Films in review, Nov. 51), are rather doubtful. Newspapers of the day merely wrote, that he was "warmly welcomed" (St. Petersburger Zeitung, Dec. 4th 13 [russ. Cal., Nov. 21st 13])

Dec. 16th 1913

The film N'embrassez pas votre bonne is being shown before an invited audience at the Lichtspiele "Mozartsaal" in Berlin (Germany).

Dec. 20th 1913

The second stop in Russia is Moscow.  A crowd of students carries him all the way from the station to the hotel (Yuri Tsivian in Russia 1913 Cinema, Griffithiana 1994)

Dec. 28th 1913

The ST. PETERSBURGER ZEITUNG reports from Kiev that the second performance had to be cancelled, due to a lack of spectators, respectively to high ticket prices.

Dec. 30th 1913

Harry Fragson, Linder’s partner in Entente Cordiale [1912], is being killed by his (83-year-old!) father.

Dec. 31st 1913

At the Town theatre in Odessa he appears on stage for three days. Even more enthusiastic than in St. Petersburg or Moscow "he was welcomed in the streets with hurrah and virtually carried on shoulders. Because of him even the traffic jammed, which prompted the police to intervene." (St. Petersburger Zeitung, Jan. 1st 1914 [russ. Cal., Dec. 20th 1913])

 

Dec. 1913

Irène Bordoni, dressed as Max Linder, appears on stage in the two-acts play Si j'ose m'exprimer ainsi by Jean Bastia. She will be seen in the same outfit at the REVUE DE MARIGNY in the sketch Les sosies [de Max Linder] from June 11th 1914 on. Shortly after that, look-alikes of Max Linder begin to appear in films as well. André Séchan apparently considered a career as a Max Linder-double in the film Comment il manqua son mariage.

 

_________

 

 

 

 

 

 

 

 

 

 

 

 

 

Poster for "Le duel de Max" by Adrien Barrère

 

 

 

 

 

 

 

 

 

 

Photograph of the "Pathé-Journal" taken in July 1914 (Source: Paris-Palaces, Jean-Jacques Meusy, 1995)

"Pester Lloyd", Nov. 14th 1913

Max in Russia (Source: Maks Linder, Sergej Jutkewitsch 1926)

 

 

 

 

 

 

 

 

 

 

 

 

 

 Irène Bordoni on stage at the Théâtre Doré ("Comoedia illustré", Jan. 5th 1914)

1913

1914

 

 

 

 

 

 

 

 

 

 

In front of the Brandenburg Gate in Berlin (Scene from "Max Professeur de Tango")

 

 "La Presse", March  29th 1914

 

Jan. 7th 1914

Arrives in Warsaw, the last stop of his tour through Russia.

Jan. 8th 1914  

2-days performance at the "Philharmony" in Warsaw.

Jan. 1914

The magazine «Illustrierte Kino-Woche» (Berlin) lets its readers vote their favourite actor or actress. Rank one to three are taken by actors of the drama. Max comes in fourth.

Jan. 14th 1914

On his way back to Paris he stops in Berlin to undertake some exterior shooting for Max professeur de Tango.

March 21st 1914

The CINE JOURNAL reports on the death of Gabrielle Lange. She participated in films such as Victime du quinquina [1911] and Amoureux de la teinturière [1912].

March 27th 1914

The revue Elle est de..., which he wrote together with Max Aghion premieres at the Gaité Rochechouart. His partners are Made Andral, Castel and Dave Loty. According to a note in LE FILM (June 12th 1914) the revue isn’t a big success.

June 11th 1914

Premieres "en chair et en os" (/"in flesh and blood") at the Folies-Marigny with the sketch Député. Germaine Rysor and Fred Pascal are playing next to him. Parts of the plot were taken from Les vacances de Max [1913].

July 1914

A court in Paris rules, that Georges Lordier, owner of the "Cinemax" has to change the name of his Cinema. In preparation of his own "Ciné Max Linder" Max was afraid the name might mislead the public into thinking, the "Cinemax" had a privilege to show Linder-films.

July 14th 1914

On the French national holiday, to which he invited, among others, Gaby Deslys and Harry Pilcer into his villa in Varenne-St. Hilaire, an accident occurs, by which he and some of his guests fall into the Seine. Nobody is being hurt though.

July 27th 1914

Trade show at the Hotel-Monopol in Vienna, at which the film Max asthmatique is being shown. This film is the last in the series to be released  in the Austro-Hungarian Monarchy (rel.: Aug. 28th), before the war prohibits the import of new ones.

July 31st 1914

While Germany declares a state of war, the last Max Linder Film before the outbreak of war Max à Monaco premieres in Berlin cinemas. The Pathé staff leaves the German capitol the very same day.

Aug. 3rd 1914

Official declaration of war between Germany and France. Max enlists voluntarily and offers his automobile to the army.

Sept. 19th 1914

The PESTER LLOYD reports (falsely), that Max has been killed. On Oct. 3rd Linder telephones from the front stating that he is not even sick but merely convalescent.

Dec. 17th 1914

The Pathé Journal is being reopened as Ciné Max Linder. "Very important note. - The Ciné Max Linder will be the only institution in Paris to run the sensational new films of the «King of the screen»." (La Presse, Dec. 16th 1914)

 

1914

93  4:

 

 

1915

93  4:

 

 

 

May 16th 1915

Max starts his tour of Italy in Turin. His sketch Député, in which he is accompanied again by Germaine Rysor, is being shown at the Teatro Alfieri, one of the biggest and most elegant theatre in town.

May 19th 1915

The 3000-seat theatre Dal Verme in Milan sees Max until May 23rd.

May 28th 1915

On the second of his five-day stay at the Teatro Nazionale in Rome, the Italian prime minister Antonio Salandra attends the performance. Italy has declared war on the Austro-Hungarian Monarchy  five days earlier.

 

 

1915

1916

 

"New York Dramatic Mirror", Dec. 9th 1916

 

Aug. 1916

Signs a contract with Essanay, requiring him to put out 12 films in one year.

Oct. 28th 1916

Departs for the United States.

Nov. 10th 1916

Max arrives at the Essanay-Studios in Chicago, carrying his luggage in 46 trunks.

Dec. 1916

Shooting begins for Max comes across (Chicago).

1916

93  4:

 

 

1917

93  4:

 

 

 

Feb. 6th 1917

«Trade show» of Max comes across in Loew's New York.

March 6th 1917

Journey to the West coast, to shoot «His First Los Angeles Made Comedy» (Ad, L.A.Times, April 29th 1917), with the title Max in a taxi. The freezing temperatures in Chicago had caused health problems.

April 1917

Max is arrested in Los Angeles for speeding. On the day he is due to appear in court he is admitted to hospital and the case is being dropped.

May 12th 1917

Charles Chaplin gives him a picture in which he had inscribed: «To the one and only Max — The Professor — From his Disciple —­  Charlie Chaplin — May 12th 1917».

May 1917

Work at Essanay ends because of his illness.

Aug. 6th 1917

Leaves Los Angeles and returns to Europe on board of the «Espana» on Aug. 11th.

 

 

Ad., "Los Angeles Times", April 29th 1917

 

Photograph with dedication by Chaplin (Source: Films in Review, Jack Spears 1965)

1917

1918

 

April 1918

The trade paper LE FILM reports on the selling of the Ciné Max Linder to the “Omnia”-Company.

 

1918

93  4:

 

 

1919

93  4:

 

 

Film, released in 1919: Sketch: The bill Le petit café

 

March 14th 1919

After having been renovated for one and a half year the re-opening of the new Ciné Max Linder takes place.

March 21st 1919

In his sketch The bill he is again appearing on stage at the Ciné Max Linder.

Nov. 11th 1919

Max leaves once more for America.

Nov. 15th 1919

"Trade show" at the Ciné Max Linder where his first feature length film Le petit café is presented.

 

 

 

 

 

 

 

 

 

Ad., "Ciné-Journal", Nov. 1st 1919

1919

1920

 

Poster for "Le feu sacré"

 

 

June 15th 1920

Begins his work on the film Seven years bad luck.

Oct. 1st 1920

Pathé releases Le feu sacré, a re-release of the 1911-film Max et Jane veulent faire du théâtre with Jane Renouardt.

1920

93  4:

 

 

1921

93  4:

 

 

Films released in 1921: Seven years bad luck Be my wife

 

June 7th 1921

Be my wife is being shown privately at the Aeolian Hall in New York.

 

 

Poster for "Be my wife"

1921

1922

 

 

French Poster for "The three must-get-theres"

Film, released in 1922: The three must-get-theres

 

April 15th 1922

His secretary Norwood Smith (25) is sentenced to probation for having forged Linder's signature on two cheques.

May 1922  

At the end of the month Linder treats some friends to view a presentation of The Three must-get-theres in his villa. They are welcomed by him being dressed as an oriental potentate and with a lion by his side in a «tableau vivant».

July 5th 1922

Max returns aboard the Paris to France (Nice).

 

1922

93  4:

 

 

1923

93  4:

 

 

 

April 29th 1923

After a two weeks search Max is arrested for kidnapping. He and the 17 year old Hélène Peters had eloped to Nice. To prevent the scandal from spreading, her parents don’t insist on persecution.

July 1923 

Au secours is being filmed in twelve days.

Aug. 2nd 1923

Marries Hélène (Ninette) Peters.

Nov. 28th 1923

Departs for Vienna for the shooting of Clown aus Liebe. The designated director René Hervil is being replaced by Edouard Emile Violet before shooting starts.

 

1923

1924

 

 

 

 

English Poster for "Max, Der Zirkuskönig"

Films released in 1924: Au secours! Max, der Zirkuskönig
 

 

Feb. 24th 1924

A suicide attempt by Linder and his wife is explained to the press as an accident.

April 11th 1924

The production company Vita announces the end of shooting for Clown aus Liebe. Three weeks later the title is changed into Max, der Zirkuskönig.

June 12th 1924

At the Scala in London a rough cut of Max, der Zirkuskönig, is being shown to an invited audience. The Variety reviewer, who attends the screening calls it “without doubt one of the best comedies ever screened.” (June 25th 1924)

June 27th 1924

Birth of his daughter.

 

1924

93  4:

 

 

 

1925

93  4:

 

 

 

Sept. 1925

The magazine CINEA- CINE POUR TOUS organises a radio broadcast with Max Linder, Suzanne Bianchetti and J. L. Croze.

Oct. 30th 1925

Alarmed by a failed appointment with her daughter, Linder's mother-in-law is having the door broken to his suite at the hotel Baltimore in Paris at around 10 a.m.. Max and his wife are being found unconscious. At 5 p.m. his wife dies.

Oct. 31st 1925

Death of Linder at 0:25 a.m. In a farewell letter to his parents Linder writes: "the wife I married, thinking her an angel, in reality is a monster."

Nov. 5th 1925

While his wife is burried on a cemetery in Paris the corps of Linder is brought to St. Loubès, his birthplace.

 

 

"Daily Express", Nov. 2nd 1925

1925__________

 

 

 

 

 

 

 

 

 

 

 

 

Bibliografy

Books:

Catalogue Pathé des années 1896 à 1914, Vol. 1-4, Henri Bousquet 1993-96

De Pathé Frères à Pathé Cinéma (1915-1922), Vol. 1+2, Henri Bousquet 1999

Catalogue des Films français de Fiction de 1908 à 1918, Raymond Chirat, 1995

Catalogue des films français de longs-métrages, Films de fiction 1919-1929, Raymond Chirat, 1984

Das Filmangebot in Deutschland, 1896-1911, Herbert Birett 1991

Das Filmangebot in Deutschland, 1912-1920, Herbert Birett (unveröffentlichtes Manuskript)

Histoire générale du cinéma III, Georges Sadoul, 1951

Filmographie Universelle - Histoire du cinéma, Jean Mitry, 1969

Pathé Premier Empire du Cinéma, Jacques Kermabon, 1994

Catalog of Copyright Entries, Motion Pictures 1912-1939, Library of Congress, Washington, 1951

AFI Catalog Feature Films, 1921-1930, The American Film Institute, 1971

The Ciné goes to town, Richard Abel, 1994

Chronique du cinéma, Jacques Legrand, 1992

Max Linder, Charles Ford, 1966

etc.

 

Articles:

Max Linder Was The Motion Picture's First Truly International Star, Jack Spears, Films in Review Vol.XVI №5, 1965, 272ff

More on Linder, Jack Spears, Films in Review, June/July 1965, 391

Max Linder et le théâtre, René Jeanne, Revue d'histoire du théâtre, Avril-Juin 1965, 164ff

Le dossier du mois, Cinéma 64, Jan. 1964, 36ff-, Le comique à l'ecran

Russia 1913 Cinema, The Duel of Top Hats-, Yuri Tsivian, -Griffithiana № 50, 1994, 129ff

Max Linder à Varsovie (1914), Irek Dembowski, 1895 №7, 1990, 91ff

etc.

[►Var. Articles 1908 to 1925]

 

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